kat_lair: (GUARDIAN - you should see me in a crown)
[personal profile] kat_lair
***

Title: Rebirth
Author:[personal profile] kat_lair
Fandom: 镇魂 | Guardian (TV 2018)  
Character: Shen Wei
Tags: Drabble, Rebirth, Starting Over, Implied Relationships 
Rating: G
Word count: 100

Summary: Nothing to lose.

Author notes: Spring defiance from under the crushing forces of capitalism = a drabble a day in April. This one for [personal profile] trobadora's prompt 'Shen Wei/Zhao Yunlan, Shen Wei has acquired a seasonally appropriate power'. The relationship is there in the background and in my mind, but I didn't really feel that justified a tag, sorry! This also came out more melancholy than I expected.

Rebirth on AO3

Rebirth )


***

Comic review: Batman Masque

Apr. 2nd, 2026 11:22 am
lupine_dreaming: Icon cred: Tumblr user scriddlecat-is-gold (Riddler 2)
[personal profile] lupine_dreaming
So, yesterday, I remembered the existence of a strange Elseworlds Batman oneshot that’s a loose adaptation of Phantom of the Opera. I love the Batman universe, and I’ve been a POTO fan for 18 years, so obviously I had to read it. This even takes place in the late 19th century!

If nothing else, I was hoping it would be an interesting little curiosity.

Unfortunately, reader, it was Very Bad.

Read more... )
angrybubbles: (informative)
[personal profile] angrybubbles
Anon Asks:
Im the one who send you this ask, so sorry that I dont comment directly into the post I just have so much anxiety whenever I do that. This is the first time I see someone headcanon Santino to be Islam, its quite interesting and I have to admit I dont ship Devil's minion since I enjoy Loumand and Lesmand more but I really love your meta about Armand, its is always so thoughtful. 

We probably wont have all these things we hope to see appear on the show but no one taxed hope right? And really if you find the way I keep sending you ask like this annoying please just ignore it 

Oh, you're alright! I get it 🥰 Glad to have you in my inbox. Our hope is a beautiful free thing, and as long as we don't put more worth on it, then we can never truly be disappointed!

Ah yes, my beautiful complicated headcanon for Muslim Santino. I have so many reasons for it, and have wanted to make a meta post about it since I read TVA, but I wanted to do research first (since alas, I am a white woman who was raised Mormon in Utah, there's so much I just don't know about everything) and while I have read a lot and have many many PDFs saved on the subject, I was hoping to get to it this summer. College really takes a lot out of me, haha...

I have 3 main reasons for the headcanon which I won't go into a ton of detail for since I am simply not prepared for the meta post of my dreams, but I can talk about it anyway.

We know that Armand's story is inseparable from faith. Many many people, like Murf and nightislands, have talked about the missing key to Armand in the show, and there's so much we either are not sure of or just don't know at all, but one thing that is certain is that Armand cannot be adapted without discussing religion. Since the base of a lot of The Vampire Chronicles is created through philosophical treatise, this element is extremely important to understand if you're going to understand Armand.

Before I get into all of that, though, I do think it's a fascinating--yet ultimately understandable--chasm in the Devil's Minion side of the Fandom that we don't discuss this core element of Armand much. Reason number one being that it's not a theme really present in the chapter; Daniel is mirroring Amadeo in the way that hedonism has taken the place of religious practice. In Amadeo's case, this was because Marius and trauma were being soothed by drowning in excess (Anne was so catholic, lol), however in Daniel's case religion is nearly absent (his cute little bible quote before he gets turned). It's part of his thing as a modern American vampire, and I could probably write an essay about this being why Daniel sticks with Marius for so long (let me finish B&G first though), but that's a huge reason why religion doesn't get brought up. There's no adaption gap in the story waiting to be filled with Muslim Armand headcanons. While I headcanon show!Daniel as Jewish, it would be with a heavy layer of American assimilation that leave traces of that Jewish heritage rather than someone who is actively practicing the religion, and that has some effect on Daniel but not so much that HE ends up interested in Armand's religious journey as a narrator.

So anyway, back to Santino and Armand.

1) Santino was able to get through to Amadeo to philosophically break him in the book because he appealed to Amadeo's missing faith that Marius could not fill. There's a lot to be said about the torture underneath Rome, and I have and will say more about it (months in the show 😱) but all of that happened AFTER Santino put strain on Amadeo's sense of self THROUGH an appeal to his religious childhood. But show!mand is not rooted in Catholicism, as far as we know. While book!mand had a childhood where he was to serve as a monk in Eastern Orthodoxy, and Santino presenting as a twisted Roman Catholic-esque Satanist cult was able to appeal to the same sense of Catholicism, that shared-yet-different heritage is not available for show!Santino to break Amadeo on. Unless... Arun was Muslim who had largely suppressed his religious practice through Marius's grooming, and Santino--who also had that suppressed, but was forcefully converted to Catholicism instead of Athiesm--was able to use that shared heritage deep inside them to break an older Amadeo on, too.
 
2) But where would Muslim Santino come from? Well there are a few historical options, since Islam has been very present in Europe through trade, the Near East (Constantinople. God, Marius is so fucking Orientalist) and the Ottoman Empire, and then of course across the Mediterranean in North Africa. He doesn't HAVE to be from Islamic Spain, but with the thematic possibilities of reconquista right around the time Santino would have been turned, I think I have a decent argument. That mostly exists in my head because I need to do research to make it compelling 😅, but decent nonetheless. A lot of it boils down to: it lets Santino be very race-flexible since Al-Andalus was very metropolitan, but it keeps Santino on a cultural home-ground (Southern Europe) while maintaining Amadeo/Armand's much more fragile presence as a victim of continental slave-trade.

3) Santino, for whatever reason, leaves the cult not long after Armand is sent to Paris. Why? I don't think we ever get a Watsonian explanation, but I have a couple Doylist ones. First: often times in a cult, someone who is doubting will overperform the rituals to soothe the doubt and seek proof that the doubt is just from flawed personal practice rather than flawed practice. Santino lets Marius be for a while before sending the CoD to burn the Palazzo, but why on earth would he choose to convert Marius's pupil? The on-page reason is because he sensed a kindred spirit (religious) in Amadeo, but I could very reasonably see this as an extension of overperformance to self-soothe. Second: once the doubt has become unignorable due to external proof of flawed practice, the cultist will finally leave and begin to deconstruct. Through the process of breaking and reshaping Amadeo into Armand, Santino somehow finds the external proof he was looking for, and leaves--Amadeo is his legacy but one he can't bear to look at himself. These elements are just me psychoanalyzing loose elements in him from TVA and QotD, but if Santino was initially Muslim... it makes that self-reflective doubt and flaw he found in Amadeo much more compelling (and horrifying). By connecting through a buried shared faith in order to break Amadeo, Santino enacts the cycle of violence he experienced by forcefully converting Armand, but through the process has to rewalk the philosophical seams holding his ritualistic practice together. With new perspective, he is able to begin breaking that seam and eventually put together the will to leave, all because Amadeo reminded him of something ritual has buried deep. 

After my semester ends and I have a nice break to recover from the stress of school, I'll definitely be reading and putting the last pieces of this in place to develop a more formal approach, but I really do appreciate the curiosity! Questions can sometimes reveal the most compelling information I would never have revealed otherwise. So, thanks! I hope you enjoyed my sleep-deprived rambling.
 

Recent Reading: Les Miserables

Apr. 2nd, 2026 09:13 am
rocky41_7: (Default)
[personal profile] rocky41_7
If you've wondered why I've been quiet lately, this is why. This was a reread; I haven't read Les Miserables by Victor Hugo since the very first time, when I was 15, before I'd ever seen the movies or plays or musicals. What exactly I got out of it at 15 I can't say, but there was something, because I've considered it one of my favorite books ever since, and it seemed high time I reread it as an adult and see if that holds.

It does.

Read more... )


Minicon Schedule

Apr. 2nd, 2026 11:02 am
lydamorehouse: (nic & coffee)
[personal profile] lydamorehouse
 For the second time ever, my wife's birthday is conflicting with Minicon. I am probably going to miss a number of the panels that I've been assigned to? But, I think, HOPEFULLY, the only affected panels are Friday night's.  

Here's what they gave me:

-------
READING: Lyda Morehouse | FRI | 7:00 PM | Ver-1
Cyberpunk in the Age of AI | FRI | 8:30 PM | Ver-1

Evil Overlords | SAT | 5:30 PM | FrontBallrm
On Writing Badly | SAT | 7:00 PM | BackBallrm
Reading Dystopia vs Living Dystopia | SAT | 8:30 PM | FrontBallrm

Second Book in the Series | SUN | 2:30 PM | FrontBallrm
---------

So, ironically, the two things I'm probably the most looking forward to--my reading and the cyberpunk panel--are the ones I will most likely be unable to make. It really will depend? Shawn tends to like to eat dinner insanely early (like between 4 and 5:00 pm), so it is possible that I'll make both? However, I don't necessarily want to rush her birthday evening. Not unless what I want to give her is the opportunity to divorce me as a birthday present.

I did leave notes behind for the moderator of the cyberpunk one, so, worst case scenario, I will still be "represented," albeit via my email.

I feel badly about this? But I was not, to my knowledge, given a preliminary schedule wherein I might have be able to note that Friday night might be bad for me. Maybe I was asked at some point and missed it or didn't think through the fact that, while Shawn birthday was actually yesterday, we almost always do "birthday observed" celebrations on the weekend nearest the actual day? Anyway, I am sorry to be potentially bailing on some stuff.  But, so it goes. I'm sure my fellow panelists will be fine without me. And, it's not like I'll be missing something I was supposed to moderate.

The reading? Well, I will try to make it, but if you're there and I'm not? You'll know what happened! 

Hmmm, maybe I can give my reading to a colleague and have them read my work.... let me strategize. 

my book, it’s alive…

Apr. 2nd, 2026 11:44 am
asuraid: Yippee creature Sylvie dancing. (yippe)
[personal profile] asuraid


the pattern in the bg kinda got nuked but SHES REALLLL

Craft project round up

Apr. 2nd, 2026 03:43 pm
meridian_rose: pen on letter background  with text  saying 'writer' (Default)
[personal profile] meridian_rose
I know I haven't been around much lately. But Easter is nearly here and here are two craft projects I've completed.
One needle felted sheep bauble, one cross-stitch/needlework Easter card
happy
Read more... )
tropicsbear: Alec Hardison from Leverage smiling (Leverage: Smiling Hardison)
[personal profile] tropicsbear

This has been playing at random times in my head since I watched it last night 😭

(no subject)

Apr. 2nd, 2026 12:48 am
dreadlordmrson: The Eye of Dread. (Default)
[personal profile] dreadlordmrson
Ah, things have been a bit busy today, so I'm late, but here's some of those details for my progress that I said I'd share.

8/10 of the summaries are done, and the other two are partially done.
Several scenes that were a lot of [??? thing happens] are more fleshed out now.

I'm both really eager, and dreading moving on to the editing and refinement pass.
This will involve more cleaning up and defining scenes, adding scenes to bridge certain moments that need better lead in. Integrating characters better. Smoothing out jagged pacing to the best of my ability. Naming more characters. Checking what scenes can be combined to have two things happen at once to save myself from some drawing later.
There's a lot to do!

I'll give more detailed updates in the future, but I'm so fricking hungry and tired right now.

What a calming day :)

Apr. 2nd, 2026 02:08 pm
harryschreine: (Default)
[personal profile] harryschreine
Today has been such a good mood build-up. I spent my time exploring more retro Bundesliga. Such a comforting activities to enjoy! I just found out that someone uploaded the whole highlight goals of the entire 2002/2003 season. Finally, Chairsteas' goal at Liga is complete. Just the Europapokal and the DFB-Pokal one that's not yet completed. Later, I will working on my homepage!
angrybubbles: (informative)
[personal profile] angrybubbles
Anon Ask:
When reading TVA is there any particular part you liked and are hoping it will be included in the show? I'm trying not to have too many expectations, but I'm really hoping for a scene where Armand confronts Marius after Benji and Sybelle are turned, I think Assad would be excellent for that.

Anon, you are SO CORRECT. Assad would KILL THAT SCENE. He'd kill all of them.

If I said I wanted all of it 😭 I know that's unreasonable, and I try to be reasonable, but... my baby...

I truly find TVA to be just... an incredible book. It's one of the most moving books I've ever read, even as it tore into me and left me hollow.

Okay, but I will try to narrow it down to three scenes just for simplicity:

1- Armand meeting his family as a vampire. I mean, if anyone has read chapter ten of The Vampire Armand and somehow made it through dry-eyed, then they are either made of stronger stuff than I or they just never empathized with the story. It is HEART WRENCHING. I was sobbing at work. I blabber aimlessly to my friends in our Discord server when it comes up, but I will genuinely be writing every possible fix-it fic if the show doesn't give us a version of the meeting. I will drown myself in every historical reference about the Delhi Sultanate and create the most atrociously complex headcanons just to make every version of that meeting again and again and again to fill that hole in me.

And if you say, "hey Mr. Bubbles, it doesn't appear that Armand has memories of his family like he did in TVA," I say to you: we have an established show-verse power of blurring memories. Armand could have learned it from two powerful vampires, but only one who could have blurred memories post-turning: Santino. (I will connect Alessandra to him for the moment, but she technically had the age to do that as well) And I have like... a nebulous theory I could figure out how to pin down about why exactly I point at Santino over Marius for specifically the family, but that would be digressing and much more work, research (I have ridiculously complicated headcanons for Santino--like him being from Islamic Spain and forcefully converted into Catholocism to be able to make that religious parallel to Armand/Amadeo/Arun), and brain power than I have available to me right now.

2- Bianca and Marius in chapter 4. I mean, first and foremost, if we don't get Bianca I will cry real tears. Don't take my women from me AMC, there's not many of them that are plot-relevant in TVC. Second, however, is how that meeting operates as Amadeo's two world's clashing. One where he is achingly human and has an emotionally intimate relationship with the woman he's sought safety with during his tenure at the palazzo--and the other where he is prized, desired, and guided into the mystery that he pours all that is left of his faith into. And while Amadeo expects Bianca to be overwhelmed, instead she stands firm against the revelations of her sins/skills (murderess) and challenges Marius's near-godly authority. The scene acts as a unity of the sides of Amadeo, which allows him the confidence to walk into the next scene believing himself righteous.

That and I want Bianca to accuse Marius of being a pederast so I can save the gif and keep it with me forever.

"No, you cannot judge me! A magician you might be, but you are no angel, Marius. Not you with your boys."

3- I hold time now. The pain of choosing between this and the banquet scene... but I chose this in the end, just because it's a motif that can be reoccurring in small visual ways, which would allow for tighter story-telling and connections across the narrative.

To me, the watch Riccardo gets for Amadeo symbolizes two things: one is hope -- considering it's given to him during their first shopping trip while Amadeo is surrounded by all these new and fascinating things that are overwhelming as Amadeo is experiencing them all at once-- and childhood.

"Amadeo," said Riccardo. "Count the hours for me."

This quote is followed by Narrator Armand's dismissal that he wished it meant something more, which to me is a clue that we are supposed to pay attention to that detail, and we are supposed to use it as an element to examine Armand's narrative with paranoia. And what are two things he struggles with? Hope and the period of time he was a child. It would be such a perfect small scene that can carry a lot of evolving emotional weight, and since I care about story-telling I want the weight to crush me under it's unreasonably heavy load.

I hope that you wanted me rambling for way too long anon because that's what you got 
this also acts as a special little glimpse into my brain on how I identify elements of story-telling
but truly there's so many scenes I want to see

amadeo's turning (kill me) 
the banquet (kill me faster) his little week-long fling with Lord Harlech (we love canon dom Amadeo) the axe through the door (seriously ahhhh) every scene with Benji and Sybelle (ahhhhhh)# ike I say I just want all of it I'll never get it--honestly I would only trust animation for a lot of the elements of this story--but I want it i'm greedy
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[personal profile] bensect
There has been debate among fans since the plotline was first introduced in MTMTE about the merits of giving Megatron a redemption arc and whether he is actually redeemable/this is a valid choice for writers in the franchise to be making. This is my opinion on the matter based on my interpretation of MTMTE/LL and Earthspark S1 (the two main continuities where this happens).

It is a common criticism of IDW1 that the story spends too much time woobifying Megatron and focusing on his emotional struggle as he tries to be a better person and not enough time with any of the people he catastrophically materially harmed. I understand why people feel this way but I feel like this is somewhat off base because essentially all of the IDW1 continuity up until the second half of MTMTE was focused heavily on the consequences of his war and him committing all sorts of atrocities. MTMTE is the part of IDW1 that people read and remember the most (because it's really good) but it is not disproportionate in size to the rest of the continuity.

It is made abundantly clear over the course of MTMTE that Megatron knows that he has erred so severely that it isn't possible anymore for him to proportionally atone for it and fully right his wrongs. The scene on Necroworld with the rolling plain of blue flowers each representing a single life ended by his hand surrounding his statue comes to mind. Most of the crew never really accepts him and at most they tolerate him. I think James Roberts did a phenomenal job of writing him as sympathetic and as someone who is really trying so that the audience gets emotionally invested in him and the jolts back to the reality that he has done absolutely horrific things are shockingly impactful. The continuity also goes into the idea that the Autobot/Decepticon ideological divide is not strictly a good vs. bad black and white morality situation and that a necessary part of the war ending is the forging of bonds across factions, the ability to trust that people are trying to be good, and collaboration to rebuild.

Earthspark presents similar concepts in that the war is over and the faction split no longer has meaning like it once did. A crucial part of the plot of the show (talking only about the first season because that's what I watched and consider personally canon) is the idea that Decepticons are capable of being good and of making that choice to take a better path, with Megatron being the primary example given of this. There is not as much focus on the specific wrongs that he committed (because it has a lighter tone for a younger audience) but he emphatically states on multiple occasions that the war is over and he wants to move forward as a different person than who he was before. There is also some discussion of the idea that he had mistreated Starscream at some point in the past and that the latter is emotionally scarred by this and wants nothing to do with him. There is not a reconciliation presented for the two of them and it is presented that their relationship being fractured permanently is a consequence of his behavior.

In my opinion, arguing about whether Megatron deserves to be redeemed in-universe based on this or that specific thing he did is the wrong angle to be coming at this topic from because ultimately the out-of-universe intent in both instances of this happening is to make the statement in the narrative that EVERYONE has the opportunity at any time to make the choice to be a better person and work to make things right. It does the opposite of cheapen the wartime atrocities of the Decepticons: if they are capable of turning around then it cements that the ones who do not are making a choice not to. I feel that presenting Megatron as capable of redemption is a powerful statement of hope for the good in people and the potential of restorative justice. It is disappointing to me that Hasbro has seemingly been uninterested in exploring this more nuanced angle of faction morality since IDW1 ended and Earthspark was handed to a different writing team for its subsequent seasons, and that jokes have even been made at the expense of this idea (see: Skybound Bulkhead saying "What's next? Megatron joining up?"). I hope they will allow writers to revisit it at some point in the future.

Community Thursday

Apr. 2nd, 2026 06:00 am
vriddy: Hawks perched on a pole with sword-feather in hand (hawks perched)
[personal profile] vriddy

Community Thursday challenge: every Thursday, try to make an effort to engage with a community on Dreamwidth, whether that's posting, commenting, promoting, etc.


Over the last week...

Posted and commented on [community profile] bnha_fans. Vigilantes Season 2 just concluded!

Promoted [community profile] jjba.

Signal boosting:

  • Via [community profile] followfriday, [community profile] artistalley is a new comm for the convention artist community to share event news, ideas, and more.
delphi: An illustrated crow kicks a little ball of snow with a contemplative expression. (Default)
[personal profile] delphi
Last year, as an interstitial segment on Game Changer, the folks over at Dropout.tv filmed an improv skit called Dimension 20: On a Bus, where the concept was four professional GMs sitting down to play D&D with a GM who had a limited understanding of how the game was played.



It was a funny bit, but I don't think anyone expected the calls for more to actually result in anything. Until now, when for April Fool's Day, Dropout released a full one-hour episode of it. It's only up on their streaming service, but here's the teaser trailer that dropped without warning:



And man, the actual episode did not disappoint. It was a hilarious mess that hit just the right balance of winding up a bunch of professional storytellers, but also letting them do what they best as they tried to salvage things. I laughed to the point of tears, but I also legitimately picked up pointers about character-building and how to move a plot along (to get to LAX to fly out to an M&M wedding in Lisbon when everything keeps blowing up).

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